# | Cím | Abstract | Folyóirat | Oldalszám |
---|---|---|---|---|
„Was die Wahrheit ist…” : Richard Strauss Elektrájának magyar sajtóvisszhangja | - | 2008., 46. évf. 1. szám | 61. - 70.o | |
A nemzeti opera eszményének átértékelődése a 19-20. század fordulóján : A korabeli bécsi, budapesti, prágai sajtóvisszhang és egynémely tanulságai | - | 2011., 49. évf. 2. szám | 190. - 205.o | |
Cantus vitae, cantus mortis : két posztromantikus kísérlet az összefoglalásra |
abs.
Cantus Vitae, Cantus Mortis
Two post-romantic attempts at résumé Máté Mesterházi Regrettable or not: musical re-discoveries are much more motivated by para-musical than by musical reasons. This is how in recent years the Dohnányi renaissance has started, and this is how the Pressburger/pozsonyi-Viennese, German-Hungarian educated Franz Schmidt (1874-1939) came into the range of vision of Hungarian musicologists. So much the more, Schmidt’s carreer had in many aspects a parallel development with that of Ernõ Dohnányi (1877-1960). After Peter Laki’s pivotal study, available in English as well as in Hungarian, focusing on the similar beginning of both composers’ carreer, and in the light of Tibor Tallián’s lecture, held in Vienna as well as in Budapest, discovering psycho-social-cultural roots of the Hungarian flavours of Schmidt’s opera Notre-Dame, the present lecture tries to compare the chef d’oeuvres of Schmidt and Dohnányi. Both the oratorio Das Buch mit sieben Siegeln (1938) and the symphonic cantata Cantus vitae (1941) were created in the same historic era, and there are many similarities between their social existences, historical receptions and their relations to the dilemma of tradition and modernity. With some outlook we can gain additional issues to the ideological problem of the post-romantic oratorio of the 20th century. |
2007., 45. évf. 1. szám | 17. - 27.o | |
Rec. „Symphonia hungarorum” : a „Magyarország zenekultúrájának ezer éve” címû kiállítás katalógusa | - | 2002., 40. évf. 1. szám | 107. - 110.o | |
Rec. Az imaginárius kör középpontja : Dolinszky Miklós: Idõrengés - Kilenc muzsikus, tíz vallomás | - | 2005., 43. évf. 1. szám | 85. - 88.o |